Catherine Edelman Gallery presents Marina Black : Unseen, the artist’s first solo gallery exhibition in the United States.
There are many photographers whose work reveals its intent upon first viewing. Then there are photographers like Marina Black, whose images reveal themselves slowly, allowing the viewer multiple interpretations. Black cites Goya’s The Disasters of War as one of her main influences, which many have interpreted as a protest against violence and the public who remain complicit. Her series Hasard Anticipé (anticipated chance) casts children as the subjects through which fear, joy, trauma and innocence is addressed. In Blacks world, the sanitized assumptions of childhood are replaced by the reality that innocence can be lost when children are not protected. As she states: “I am interested in investigating the complexities of the childhood world, and how susceptible children can be to mental and physical injuries. While there might be joy in childhood, there are also bullies, strangers, loneliness and conflicts that need to be negotiated.”
