Olivia Parker

Parker

Olivia Parker began her career as a painter, and became involved in photography in 1970. Mostly self-taught, she began working in her studio, constructing images to be photographed. Her first book, Signs of Life, featured simple images seen with keen insight: a perfect white orchid, a pair of ballet slippers, pea pods sitting on a counter. In Eggshells, four cracked white shells rest on a white counter, perfectly lit exposing their vulnerability; in Moon Snails, rows of snails are lined in a box, taking on the appearance of eyes staring out of a cabinet drawer.

Her second book, Under the Looking Glass, featured Parker's color work and interest in photographic collage, creating narratives about ancestry through the combination of old photographs, blooming flowers and aged fruit. While these images were small in nature (4 x 5" and 8 x 10"), Parker infused them with a heightened sense of reality that is exaggerated by color and light. As Mark Strand said in his introduction, "Olivia Parker's photographs contain a remarkable suggestive world of particulars – so suggestive, in fact, that we are not sure if we are looking at strange extensions of reality or colorful projections of dreams." In The Eastern Garden, a tattered doll rests on a wood shelf, a coffin of red roses holding it afloat; in The Black Package, a black package tied with red string which sits at the foot of a portrait of a young girl, suggesting an offering to the dead or a remembrance of a young life.

In Parker's third book, Weighing the Planets, she introduces nautical maps, encyclopedias, glass vials, diaries, metal objects, and flowers to create visual poetry. In these images, Parker creates constructions using natural light which streams onto her set-ups, projecting shadows of figures and objects onto book pages and maps. The effects are eerie; people appear to be floating above the ground, fish swim across the page and wind takes on an animated effect. In At the Edge of the Garden, silhouetted workers appear behind a bed of blooming flowers; in On the Wall, a squatting figure jumps atop a sheet of illegible notepad paper, escaping flying tacks.

In the early 1990s, after almost two decades of working with large format cameras, split-toning and Polaroid materials, Parker turned her attention to the computer, fusing her collage with the new digital era. The resulting images continue to explore real and imagined worlds. In the latest series in the show, Books, Parker photographs an Ethiopian bible, its gazelle skin pages stitched to close natural holes in the hide. Sculptural in presentation, the book takes on other meanings. As Parker states, "A closed book tempts me to open it. As it opens a book may release ideas the same way an open door releases light into a darkened room." Through her works, the viewer is invited into the shadows of Olivia Parker's imagination.

All black & white images are available as vintage splilt-toned gelatin silver contact prints made in various sizes and editions, although most of them were not fully realized. Pieces range in price from $1500 to $8000, depending on size and availability.

All color images are available as 8 x 10" Polaroids or dye transfer prints made in various editions. Pieces range in price from $1500 to $4000, depending on availability.

Please call: (312) 266-2350 for prices of specific pieces.
Prices are print only unless otherwise indicated.

Olivia Parker
A Book of Broken Rules, 1994
Olivia Parker
A Reasonable Argument, 1980
Olivia Parker
A Summer Afternoon, 1983

Olivia Parker
Adam and Eve A.D., 1983

Olivia Parker
An Unpleasant Surprise, 1985

Olivia Parker
Appearances, 1996
Olivia Parker
At the Edge of the Garden, 1986
Olivia Parker
Blackbird, 1981
Olivia Parker
Blackbird Aviary, 1981
Olivia Parker
Book, 2002
Olivia Parker
Book II, 2002
Olivia Parker
Broken Nautiluses, 1981
Olivia Parker
Carousel, 1982
Olivia Parker
Chambers, 1981
Olivia Parker
Child, 1980

Olivia Parker
Children With Acorns, 1981
Olivia Parker
Cinemechanics, 1984

Olivia Parker
Circles of Memory, 1980

Olivia Parker
Dance, 1977
Olivia Parker
Deer With Pomegranates, 1993
Olivia Parker
Devil's Tea Party, 1981
Olivia Parker
Digitalis, 1980
Olivia Parker
Displacement, 1983
Olivia Parker
Edges, 1984

Olivia Parker
Eggshells, 1977
Olivia Parker
End Game, 1984
Olivia Parker
Feral Tape, 1984

Olivia Parker
Four Pears, 1979
Olivia Parker
Freesia, 1983
Olivia Parker
Garlic, 1981
Olivia Parker
Gravity, 1982
Olivia Parker
Helen's Orchids, 2004

Olivia Parker
Hiatus, 1982

Olivia Parker
Horseplay, 1993
Olivia Parker
In the Works, 1984

Olivia Parker
Inner Workings, 1983

Olivia Parker
Interior with Amaryllis, 2001

Olivia Parker
Interior with Pears, 1979

Olivia Parker
Interrupted Information, 1985
Olivia Parker
La Felicita, 1980
Olivia Parker
Leaving the Scene, 1985

Olivia Parker
Lotus in the North I, 2001

Olivia Parker
Miss Appleton's Shoes II, 1976
Olivia Parker
Moon Snails, 1977
Olivia Parker
Ocean, 1984
Olivia Parker
On the Wall, 1983
Olivia Parker
Orchid, 1977
Olivia Parker
Pods of Chance, 1977
Olivia Parker
Seven, 1984

Olivia Parker
Shell Beans, 1979
Olivia Parker
Site I: V Dolls, 1980
Olivia Parker
Site II, Deer, 1981

Olivia Parker
Statue Seen by a Man, Observed by a Pigeon, 1984
Olivia Parker
Still Life Soap Bubble, 1996

Olivia Parker
Telling Structures I, 1998

Olivia Parker
The Black Package, 1980
Olivia Parker
The Blue Package, 1980
Olivia Parker
The Cartographers, 1984
Olivia Parker
The Eastern Garden, 1980
Olivia Parker
The Edge of Time, 1984

Olivia Parker
Three Peonies, 1984

Olivia Parker
Training, 1982

Olivia Parker
Tulip, 2001

Olivia Parker
Turkey Shoot, 1981

Olivia Parker
Two Peaches, 2001
Olivia Parker
Two Pears, One Leaf, 2001
Olivia Parker
Weighing the Planets, 1984
Olivia Parker
What If..., 1985

Olivia Parker
World of Wonder, 1986
Olivia Parker
Possibility, 1979