

Synecdoche: The fragment that represents the whole
Synecdoche is a literary device in which the part represents the whole. My photographs are meant to be visual examples of synecdoche. My subject is nature and the complex—often paradoxical—relationships I see between nature and culture. My approach, using the part to represent the whole, is to symbolize the fragmentation we experience in our everyday environment.
I am interested in how we perceive nature and its relationship with human impacts upon the land and I am attracted to the contradictory realities I perceive in a world where nature is increasingly transformed, reduced and abstracted. I focus on how we use natural features in manufactured landscapes to compensate for cultural alienation from nature. Homo Sapiens evolved in the natural landscape. I believe that the destruction of that landscape creates in all of us an instinctual anxiety. My work deals with the tension that this creates.
Many images contain a vestige of nature in an architectural setting. Some express the exuberance of nature juxtaposed with an artificial feature. In either case, they are meant to be fragments of the whole subject—fragments that evoke something larger. Ultimately, there are no boundaries between the human and the natural.
This series evolved from another body of work called the Urban Wilderness Project, which explores a similar theme, contradictions between wilderness and civilization. In Synecdoche the concept is distilled, the compositions refined. The square format is a geometric shape rarely found in nature. Abstract geometries resist the illusion of three-dimensional space. Paradoxically, they also are concrete, rooted inescapably in the real world. I want these images to teeter between abstraction and realism to express the tensions between order and disorder, civilization and wilderness that I see as central to the human condition.
Please call: (312) 266 - 2350 for prices of specific pieces.
Prices are print only unless otherwise indicated.
Autumn, 2010
Eddee Daniel, Autumn, 2010
From the The Synecdoche Series series
16 x 16”, 20 x 20” pigment print
Editions of 10Grain Elevator, 2010
Eddee Daniel, Grain Elevator, 2010
From the The Synecdoche Series series
16 x 16”, 20 x 20” pigment print
Editions of 10HL2012-41, 2012
Eddee Daniel, HL2012-41, 2012
From the The Synecdoche Series series
16 x 16”, 20 x 20” pigment print
Editions of 10Horizon, 2011
Eddee Daniel, Horizon, 2011
From the The Synecdoche Series series
16 x 16”, 20 x 20” pigment print
Editions of 10Industrial Strength, 2012
Eddee Daniel, Industrial Strength, 2012
From the The Synecdoche Series series
16 x 16”, 20 x 20” pigment print
Editions of 10Live Oaks , 2011
Eddee Daniel, Live Oaks , 2011
From the The Synecdoche Series series
16 x 16”, 20 x 20” pigment print
Editions of 10New Crop, 2009
Eddee Daniel, New Crop, 2009
From the The Synecdoche Series series
16 x 16” pigment print
Editions of 10The Commons III , 2011
Eddee Daniel, The Commons III , 2011
From the The Synecdoche Series series
16 x 16”, 20 x 20” pigment print
Editions of 10The Pyramids 2, 2011
Eddee Daniel, The Pyramids 2, 2011
From the The Synecdoche Series series
16 x 16”, 20 x 20” pigment print
Editions of 10Tree Farm, 2017
Eddee Daniel, Tree Farm, 2017
From the The Synecdoche Series series
16 x 16” pigment print
Editions of 10Twist, 2012
Eddee Daniel, Twist, 2012
From the The Synecdoche Series series
16 x 16”, 20 x 20” pigment print
Editions of 10Vine - Harbor District, 2017
Eddee Daniel, Vine - Harbor District, 2017
From the The Synecdoche Series series
16 x 16” pigment print
Editions of 10Wall, 2020
Eddee Daniel, Wall, 2020
From the The Synecdoche Series series
16 x 16” pigment print
Editions of 10Water Park, 2009
Eddee Daniel, Water Park, 2009
From the The Synecdoche Series series
16 x 16” pigment print
Editions of 10Winter Horizon, 2013
Eddee Daniel, Winter Horizon, 2013
From the The Synecdoche Series series
16 x 16”, 20 x 20” pigment print
Editions of 10