How do you see me? September 7 — October 27, 2018

When Alanna Airitam (b. 1971, Queens, NY) was studying the history of art, she noticed the absence of black people in the history of Western art. This exclusion is familiar to many dark skinned people who are used to seeing themselves represented in paintings and films as domestic workers, slaves or barbarians. By inviting African Americans to pose in the style of classic Dutch portraiture, Airitam reclaims art history, shining a light on the racial disparity in her series, The Golden Age. Titling her images after places in Harlem -- Saint Sugar Hill, Saint Minton and Saint Lenox -- the artist pays homage to the Harlem Renaissance, which opened doors for many young African Americans working today. It is a powerful series that celebrates black identity while highlighting the racial divide that exists throughout art history.

Endia Beal (b. 1985, Winston-Salem, NC) focuses her camera on how African American women are perceived in the corporate world based on their physical appearance.  As a young black woman in a mostly white dominated corporate job, Beal knew people talked behind her back about her hair, which did not conform to their definition of beauty. Now, as a professor at Winston Salem State University, Beal  tackles the stereotypes that her students and other black women face when they do not fit the corporate mold. Am I What You’re Looking For? poses black women in front of a photographic backdrop of a typical office setting, wearing an outfit they find suitable for work. Through this work, Beal challenges the viewer to look at their own biases or sterotypes as they view the photographs.  

Medina Dugger (b. 1983, Corpus Christi, TX) pays homage to Nigerian photographer J.D. 'Okhai Ojeikere, whose 40 year black and white photographic study of African women’s hairstyles set the standard for the celebration of black hair culture. African hair braiding methods date back thousands of years and Nigerian hair culture is a rich and often extensive process, which begins in childhood. The methods and variations have been influenced by social/cultural patterns, historical events and globalization. Hairdos range from being purely decorative to conveying deeper, more symbolic understandings, revealing social status, age and tribal/family traditions. In her Lagos studio, Dugger pays homage to historical and imagined hairstyles, honoring Ojeikere’s work through a contemporary lens in her series Chroma: An Ode to J.D. 'Okhai Ojeikere.

How do you see me? brings together work by three women who dare to question racial stereotypes and biases that are seen in our history books and continue to exist today. Through these important photographs, the artists challenge the perception of beauty, and the different standards that exist based on skin color.

Please call: (312) 266-2350 for prices of specific pieces.
Prices are print only unless otherwise indicated.

Alanna Airitam
Dapper Dan, 2017
Alanna Airitam
Queen Mary, 2017
Alanna Airitam
Saint Minton, 2017
Alanna Airitam
Saint Lenox, 2017
Alanna Airitam
Saint Sugar Hill, 2017
Endia Beal
Christine, 2016
Endia Beal
Dominica, 2015
Endia Beal
Kennedy, 2015
Endia Beal
Melanie, 2016
Endia Beal
Sabrina and Katrina, 2015
Endia Beal
Tianna, 2016
Medina Dugger
Aqua Suku, 2017
Medina Dugger
Blue Beri Beri, 2017
Medina Dugger
Blue Coiling Penny Penny, 2017
Medina Dugger
Cross My Heart, 2017
Medina Dugger
Green Tea Cup and Saucer, 2017
Medina Dugger
Magenta Braid, 2017
Medina Dugger
Magenta Patewo Flower in MCR, 2017
Medina Dugger
Orange Koroba with Pony, 2017
Medina Dugger
Pink Buns, 2017
Medina Dugger
Silver Calabar in Torlowei, 2017
Medina Dugger
Yellow Tip Twist, 2017